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Marc Jacobs takes Louis Vuitton back to the swinging sixties with geometric shapes
What do you get if you mix Louis Vuitton's world famous Damier check with French conceptual artist Daniel Buren's distinctive stripes? The answer: A 1960s extravaganza showcased in a dramatic, geometric setting.
Louis Vuitton's Paris Fashion Week show, helmed by LV's creative director Marc Jacobs and with the space curated by Buren, opened in typically spectacular style with models in bold checks rendered in acid brights, pale grey or stark black and white, streaming down escalators into the Louvre.
Buren, known for his minimalism, rose boldly to the occasion, creating a shopping precinct with four fullscale escalators, each decorated with his signature 8.7cm stripes, that wowed spectators inside the museum many of whom described the scene as 'exquisite'.
Back to the future: The Louis Vuitton show was a vision of checks and managed to feel both retro and futuristic at the same time
'It was already big, all I
did was make it bigger,' said Buren of his transformation of this most famous of French art galleries. 'It was
others that called me a minimalist, not me.' Of course, the sky's the limit when you're
backed by Europe's richest man and LVMHowner Bernard Arnault, with whom
Buren mingled before the show.
From a fashion point of view, the
collection was certainly unforgettable, with 64 retro looks with echoes of Mary Quant making a bold optical statement. While most silhouettes were slim and clean, subtle volume came in the form of gentle
puffed shoulders or a flippy pleat at the bottom of a miniskirt.
Miniskirts, beehives and exposed
midriffs galore pointed to one thing: The swinging Sixties are back (viz Moschino's flower power show earlier this week). Simple silhouettes were decked out in
Damier, while skirt and trouser suits made an impact in taupe, black
and white geometric prints.
Louis Vuitton is a house that is
proud of its tradition,[url=http://www.floware.fr]michael kors paris[/url], but also likes to evolve. The collection saw the
ubiquitous monogram banished for the first time.
Instead, one recurrent feature was according to the show notes 'the smallest sequins ever produced.' Thousands of those microscopic sequins added dazzle to the Damier check and brought metallic shimmer to

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